We recently made up a game called Curly Cravings for our grandmother for her birthday.
Here’s how it works. You make three teams. Your team is given a noun, an adjective, and a problem randomly selected from hats filled with pre-populated items of the respective categories written on slips of paper by players in advance. You’re required to conceive of a solution to the problem you draw that makes use of the noun and the adjective you draw. You then give your solution to another team, who draws a picture of it, and then to a third team, who dances it. All the while, you’re drawing and dancing other people’s ideas, too. At the end you have a “Curly Craving,” which is the 3-part combination of an idea, a picture, and a dance.
For more information, here’s a link to the instructions; and the “Picto-Instructions” image from those instructions is below. Note: the instructions make intentional use of alternate English spelling conventions adapted by our game-development team.
By way of example, in the legendary first game, one team was asked to solve the problem “Keep People From Killing the Animals” using the adjective-noun team “Slippery Eyeball.” The solution involved a rapidly moving eyeball keeping watch on all would-be animal killers, and flashing them to sleep with a powerful wink method immediately prior to the act of killing, at which point the animals would escape. We’ve lost the remarkable picture drawn of this solution, but we remember still the actor in the role of an wild, but gentle, animal grazing contentedly, the actor playing “Eye” and his dramatic wink, the actor playing a hunter overwhelmed by drowsiness even while in the very midst of aiming his rifle.
- It’s an exercise in constrained problem solving. You inherit problems and try to solve them with components you have no real control over the selection of. In this way it’s like life.
- It makes you creative. You put together things that generally don’t belong, which is the essence of creativity. “Deciduous Scissors,” one such unlikely combo, was a favorite noun-adjective pairing from another past instantiation of the game. There’s a mad-libs-like, surreal quality to the combinations and the solutions developed from them that helps people escape, as it were, from the dictatorship of conventional psycho-realism and its social restrictions, fixed attitudes, beliefs, group think, anxieties.
- You care about other people’s ideas. You receive the ideas of other people, and you interpret them by drawing. You interpret someone else’s interpretation by dancing. This has a funny way of making you feel like the solutions are part of you, too. In this way Curly Cravings draws on the core power of other idea-sharing structures, like World Café facilitation methodology.
- Memory is engaged. You’ll never forget a Curly Craving once you’ve drawn it, danced it, or seen it danced or drawn. Something about seeing my friend Richard (name changed to protect her identity), for example, embodying the role of a Deciduous Scissors as it “healed” a Rusted Combine-Harvester (played by me) will never allow itself to be forgot.
- It’s inclusive. Curly Cravings uses verbal, visual, and kinesthetic thinking. As such people of almost any age and learning style can be involved.
- Nobody wins. Even though the instructions say “vote on best” at Step 6, everyone essentially wins, because they’ve contributed part of each solution or its representation. Also, by the time you get to voting, everyone has had to dance, which serves as a kind of positive cathartic moment. After the dance, the voting is an emotional denouement and nothing more.
But the thing I like about it the most? It’s very much unlike work.
In the average workplace we generally don’t dance, draw, or combine unusual things. We generally don’t hand off our naked new ideas to others for safekeeping, nor do we act as stewards for someone else’s thoughts. On the contrary: new ideas are more likely seen as destabilizing threats to our status quo that we mush squash or commandeer.
The world, however, is slowing realizing that workplaces which overly reinforce a status quo are at a disadvantage in a context of change, when learning, experimentation, and risk are all to be foregrounded. We’re realizing we need more ways of developing new insights, creative solutions, and unexpected combinations, as silly as they may at first seem; and we need to treat these insights and sometimes-crazy thoughts, these Slippery Eyeballs, as carefully as we might treat babies, because they might just grow into the bold strategic plans that reinvent our work and reshape our industry, etc.
Use Curly Cravings at work? That sounds crazy . . . until, that is, you imagine yourself replacing the random problems like “Keep People from Killing the Animals” with an equally difficult problem that’s relevant to your work, or until you imagine replacing the randomly-chosen nouns and adjectives with resource components you have in place at work or skills your staff happen to have, etc. Then you begin to see that the solutions people playing this game might develop could be the kind of thing that helps you rethink the way you do work. It might even be the kind of place you would think of adding the “repeat” to lather and rinse (to refer to a famous case of creative problem-solving in the shampoo industry).
So maybe we won’t see Curly Cravings itself, but I suspect we’ll see a proliferation of similar kinds of simple processes designed to help us conceive of and honor new ideas. And won’t they be fun to play? I hope they keep the dancing part.